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Delphine
DEROBERT MASURE
Another way to paint nature
Salt marshes of France and elsewhere.
Born from a dialogue with landscapes captured from the sky, this series explores the earth as a material and as a rhythm.
Viewed from above, it becomes color, vibration, and abstraction.
The marshes are no longer just a place, they become an interpretation.
After Polynesia, I needed a return to geometry. To a different interpretation of figurative art.
Familiar landscapes, seen from a different perspective.
(Photographic work materials: Tom HEGEN — used with his permission)
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